| Subtitle | Los Angeles 2029 AD |
| Text | The machines rose from the ashes of the
nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in
the future. It would be fought here, in our present. Tonight... |
| Subtitle | Los Angeles 1984 1:52 a. m. |
| SCENE | Punks standing around a
pay-telescope. |
| Punk1 | Hey my turn ... Come on. |
| Punk2 | Hey. What's wrong with this
picture? |
| Punk1 | Nice night for a walk, eh? |
| Terminator | Nice night for a walk. |
| Punk2 | Washday tommorrow, nothing clean.
Right. |
| Terminator | Nothing clean right. |
| Punk1 | Hey, I think this guy's a couple cans
short of a six pack. |
| Terminator | Your clothes, give them to me.
NOW. |
| Punk1 | Fuck you, asshole. |
| SCENE | Another dark alley |
| Reese | What day is it? The DATE? |
| Cop | 12th May, Thursday |
| Reese | What year?? |
| Cop | What? |
| Cop | He's got my gun. Let's go. |
| Radio voice | Lost the suspect, sir. |
| SCENE | T goes into gun shop |
| Terminator | The 12 gauge autoloader. |
| Storekeeper | That's Italian, you can go pump or
auto. |
| Terminator | The .45 longslide, with laser
sighting. |
| Storekeeper | These are brand new, we just got
them in. That's a good gun. Just touch the trigger, the beam comes on and you put the red dot where you want the
bullet to go. You can't miss. Anything else? |
| Terminator | Phased plasma rifle in the 40 watt
range. |
| Storekeeper | Hey, just what you see
pal. |
| Terminator | Uzi 9mm |
| Storekeeper | You know your weapons buddy. Any one
of these is ideal for home defense. So, which will it be? |
| Terminator | All. |
| Storekeeper | I may close early today... there's a
fifteen day wait on the handguns, but the rifles you can take right now. |
| Storekeeper | You can't do that.. |
| Terminator | Wrong. |
| SCENE | tech noir |
| Vulkovitch | It's her. |
| Traxler | Sarah Connor? It's Lt.
Traxier. |
| Sarah | Look, Lt., don't put me on hold and don't
transfer me to another dept. |
| Traxler | Don't worry, I won't. Now just relax.
Can you tell me where you are? |
| Sarah | I'm in this bar called Technoir. |
| Traxler | Yeah, I know, it's on Pico. |
| Sarah | Yeah, but I don't wanna leave, I think
there's a guy following me. |
| Traxler | Alright, now listen, Miss Connor. Now
listen carefully. You're in a public place, so you'll be safe till we get there but stay visible. Don't go outside
or even to the restroom. I'll have a car there in a hot minute. |
| SCENE | terminator chases sarah and reese out of
the club |
| Reese | Come with me if you wanna live. COME
ON. |
| Police officer | This is 1L19. I gotta hit and run
fellony. Suspect vehicle late model grey Ford westbound on 7. He's really moving, punching lights all the way. I'm
gonna need an ambulance at 7th and Broadway. Right now. |
| Reese | Hold on. Are you injured? Are you
shot? |
| Reese | Do exactly what I say. |
| Reese | Exactly. Don't move unless I say. Don't
make a sound |
| Reese | unless I say. Do you understand? DO YOU
UNDERSTAND? |
| Sarah | Yes. Please don't hurt me. |
| Reese | I'm here to help you. I'm Reese. Sergeant
Techcom DN38416 assigned to protect you. You've been targeted for termination. |
| Terminator | This is 1L19 westbound on Olympic,
approaching Overland. |
| Sarah | This is a mistake. I didn't do
anything. |
| Reese | No, but you will. It's very important that
you live. |
| Sarah | This isn't true. How could that man just
get up after you did ... |
| Reese | He's not a man, a machine, a terminator.
Cyberdyne systems model 101. |
| Sarah | A machine? Like a robot? |
| Reese | Not a robot. A cyborg. Cybernetic
organism. |
| Sarah | No, he was bleeding. |
| Reese | Just a second. Get your head
down. |
| Reese | Alright, listen. The terminator is an
infiltration unit, part man, part machine, underneath it's a hyper alloy combat chassis, microprocessor controlled,
fully armoured, very tough. But outside, it's living human tissue. Flesh, skin, hair, blood - grown for the
cyborgs. |
| Sarah | Look Reese, I don't know what you want
from me |
| Reese | Pay attention. I gotta ditch this car. The
600 series had rubber skin. We spotted them easy. But these are new. They look human, sweat, bad breath, everything,
very hard to spot. I had to wait till he moved on you before I could zero him. |
| Sarah | Look, I am not stupid you know. They
cannot make things like that yet. |
| Reese | Not yet, not for about 40 years. |
| Sarah | Are you saying it's from the
future. |
| Reese | One possible future. From your point of
view. I don't know tech stuff. |
| Sarah | Then you're from the future too, is that
right? |
| Reese | Right. |
| Sarah | Right. |
| Reese | Cyborgs don't feel pain. I DO. Don't do
that again. |
| Sarah | Just let me go. |
| Reese | LISTEN, and understand. That terminator is
out there. It can't be bargained with, it can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it
absolutely will not stop, ever, until you are dead. |
| Sarah | Can you stop it? |
| Reese | I don't know. With these weapons, I don't
know. |
| Radio | All units all units. Grey Ford, suspct
vehicle, has been found in a parking structure at forth and poetry ... |
| Radio | ... in location lower level all night
parking garage ... |
| Radio | ... suspect is described as a male, white,
six feet, 25 years, with a green overcoat ... |
| Sarah | Reese, why me? Why does it want
me? |
| Reese | There was a nuclear war, a few years from
now. All this, this whole place, everything, it's gone, just gone. The survivors, here, there, nobody even knew who
started it. It was the machines, Sarah. |
| Sarah | I don't understand. |
| Reese | Defense network computers, new, powerful,
hooked into everything Trusted to run it all. They say it got smart, a new order of intelligence, then it saw all
people as a threat, not just the ones on the other side. It decided our fate in a microsecond.
Extermination. |
| Sarah | Did you see this war? |
| Reese | No, I grew up after, in the ruins,
starving, hiding from HKs. |
| Sarah | HKs? |
| Reese | Hunter killers, patrol machines, built in
automated factories Most of us were rounded up, put in camps, for orderly disposal. It's burned in by laser-scan.
Some of us were kept alive, to work, loading bodies. The disposal units ran night and day. We were that close to
going out forever. But there was one man, who taught us to fight, to storm the wire of the camps, to smash those
mutant mother fuckers into junk. He turned it around. He brought us back from the brink. His name is Connor, John
Connor. |
| Reese | Your son Sarah, your unborn son. |
| Reese | Drive. |
| Sarah | Resse.. Reese.. |
| Sarah | No Reese, no, no, no. They'll kill
you. |
| Police1 | You in the Cadillac. Let me see your
hands now. Get out of the car. Drop to your knees. |
| SCENE | Interview room, Doctor Silberman
interviewing Reese |
| Silberman | So, you're a solider, fighting for
whom? |
| Reese | With the 132nd under Perry, from 21 to
27. |
| Silberman | That's the year 2027? |
| Reese | That's right. Then I was assigned
... |
| Vulkovitch | This is fucking great. |
| Reese | ... for the last two years under John
Connor. |
| Silberman | And who was the enemy again? |
| Reese | A computer defense system built
for |
| Silberman's pager | BEEP, BEEP, BEEP,
... |
| Silberman | Oh damn. Sorry. |
| Reese | Built for SAC NORAD by Cyberdyne
systems. |
| Silberman | I see. And this computer, thinks it
can win by killing the mother of its enemy. Killing him in effect, before he's even conceived. A sort of retroactive
abortion? |
| Vulkovitch | That guy Silberman really cracks me
up. Last week he had this guy in there who burned his afghan. He screwed it first .. then he set it.. |
| Traxler | Hey. Shut up. |
| Silberman | Why didn't the computers just kill
Connor then? Why this elaborate scheme with the terminator? |
| Reese | It had no choice. Their defense grid was
smashed. We'd won. Taking out Connor then would make no difference. Skynet had to wipe out his entire
existance. |
| Silberman | Is that when you captured the lab
complex and found that.. What is it called ... the time displacement equipment? |
| Reese | That's right. The terminator had already
gone through. Connor sent me to intercept and they blew the whole place. |
| Silberman | Well, how are you supposed to get
back? |
| Reese | I can't .. nobody goes home. Nobody else
comes through. It's just him, and me. |
| SCENE | Police station, officers, doc, and Sarah
are now watching the videotape of the interview. |
| Reese | It's just him, and me. |
| Silberman | Why didn't you bring any weapons,
something more advanced? Don't you have ray guns? |
| Vulkovitch | Ray guns. |
| Silberman | Show me a piece of future
technology. |
| Reese | You go naked, something about the field
generated by a living organism, nothing dead will go. |
| Silberman | Why? |
| Reese | I didn't build the fucking
thing! |
| Silberman | Okay, Okay. But this cyborg.. if it's
metal.. |
| Reese | .. SURROUNDED BY LIVING TISSUE. |
| Silberman | Oh, right, right. |
| Silberman | This is great stuff. I could make a
carreer out of this guy. You see how clever this part is? How it doesn't require a shred of proof. Most paranoid
delusions are intricate, but this is brilliant. |
| Silberman | Why were the other two women
killed? |
| Reese | Most of the records were lost in the war.
Skynet knew almost nothing about Connor's mother. Her full name.. where she lived They just knew the city. The
terminator was just being systematic. |
| Silberman | Uh-huh. Well, lets go back to one
other thing... |
| Reese | LOOK. You have heard enough. I have
answered your questions, now I have to see Sarah Connor. |
| Silberman | I'm afraid that's not up to
me. |
| Reese | Why am I talking to you? |
| Silberman | Because I can help you. |
| Reese | Who is in authority here? |
| Silberman | Please ... |
| Reese | Shut up. You still don't get it, do you.
He'll find her. That's what he does. That's all he does. You can't stop him. He'll wade through you, reach down her
throat, and pull her fucking heart out. |
| SCENE | At police station desk. |
| Silberman | Goodnight. |
| Desk sergeant | Goodnight. |
| Pager | BEEP, BEEP, BEEP, ... |
| Terminator | I'm a friend of Sarah Connor. I was
told that she's here. Could I see her please? |
| Desk sergeant | No. You can't see her, she's
making a statement. |
| Terminator | Where is she? |
| Desk sergeant | Look, it may take awhile. If you
want to wait, there's a bench over there. |
| Terminator | I'll be back. |
| Voice | Is it a terrorist or something? |
| SCENE | Car out of fuel. |
| Radio | KFLB newstime 4:36. In the top story of
the hour, the largest single law enforcement mobilization in California history is currently under way. Police in
five southern counties are engaged in a massive manhunt for an unidentified ... |
| Reese | Take this.. Alright, let's get this off
the road. |
| Reese | You cold? |
| Sarah | Freezing. |
| Sarah | Reese. You got a first name? |
| Reese | Kyle. |
| Sarah | Kyle, what's it like when you go through
time? |
| Reese | White light. Pain. It's like being born,
maybe. |
| Sarah | Oh my god. |
| Reese | I caught one back there. |
| Sarah | You mean you got shot? |
| Reese | It's not bad. |
| Sarah | Well, we gotta get you to a
doctor. |
| Reese | It's ok, forget it. |
| Sarah | What do you mean, "forget it"?
Are you crazy? Take this off. Jesus. |
| Reese | It passed right through the
vein. |
| Sarah | Oh .. this is gonna make me puke. Would
you just talk about somehting. |
| Reese | What? |
| Sarah | I don't know, anything. Just talk. Tell me
about my son. |
| Reese | He's about my height. He has your
eyes. |
| Sarah | What's he like? |
| Reese | You trust him. He's got a strength. I'd
die for John Connor. |
| Sarah | At least now I know what to name
him. |
| Sarah | I don't suppose you know who the father
is, so I won't tell him to get lost, when I meet him? |
| Reese | John never said much about him. I know he
dies before the war. |
| Sarah | Wait! I don't want to know. So, was it
John that sent you here? |
| Reese | I volunteered. |
| Sarah | Why? |
| Reese | It was a chance to meet the legend: Sarah
Connor. Taught her son to fight, organize, prepare from when he was a kid when you were in hiding, before the
war. |
| Sarah | You're talking about things I haven't done
yet in the past tense. It's driving me crazy. Are you sure you have the right person? |
| Reese | I'm sure. |
| Sarah | Come on. Do I look like the mother of the
future. I mean am I tough, organized? I can't even balance my checkbook. Look, Reese, I didn't ask for this honor,
and I don't want it, any of it. |
| Reese | Your son gave me a message to give to you.
Made me memorize it. Thank you Sarah for your courage through the dark years. I can't help you with what you must
soon face except to say that the future is not set. You must be stronger than you imagine you can be. You must
survive or I will never exist. That's all. It's a good field dressing. |
| Sarah | You like it? It's my first |
| Reese | Get some sleep. It'll be light
soon. |
| Sarah | Okay. Talk to me some more. |
| Reese | About what? |
| Sarah | Tell me about where you're from. |
| Reese | Alright. You stay down by day, but at
night you can move around. You still have to be careful because the HKs use infra red. They're not too bright. John
taught us ways to dust them. Till the infiltraters started to appear. Terminators were the newest - the
worst. |
| SCENE | future |
| Radio voice | ...traversing your sector in search
mode seven five zero meters north your position. |
| Reese | Let's go. REESE DN384 ... |
| Guard | Right.. let him in. |
| Voice | Terminator. Terminator. |
| SCENE | T's apt. |
| Landlord | Hey buddy.. got a dead cat in there or
what? |
| Terminator | Fuck you, asshole. |
| Person in hallway | God damn! |
| SCENE | Motel |
| Sarah | He'll find us, won't he? |
| Reese | Probably. |
| Sarah | It'll never be over, will it? Look at me,
I'm shaking, some legend huh? You must be pretty disappointed. |
| Reese | No. I'm not. |
| Sarah | Kyle, the women in your time. What are
they like? |
| Reese | Good fighters. |
| Sarah | That's not what I meant. Was there someone
special? |
| Reese | Someone? |
| Sarah | A girl, you know? |
| Reese | No, never. |
| Sarah | Never? I'm sorry. I'm so sorry. So much
pain. |
| Reese | Pain can be controlled. You just
disconnect it. |
| Sarah | So you feel nothing. |
| Reese | John Connor gave me a picture of you once.
I didn't know why at the time. It was very old, torn, faded. You were young like you are now. You seemed just a
little sad. I used to always wonder what you were thinking at that moment. I memorized every line, every curve. I
came across time for you, Sarah. I love you, I always have. I shouldn't have said that. |
| SCENE | final battle in the computer
factory |
| Sarah | You're terminated, fucker. |